LMP-192   MY PRIME OF YOUTH.   by John Mundy (c. 1555 -1630) Edited by Joseph A. Loux, Jr. This work was composed by Mundy based on the text of a poem composed by Chidiock Tichborne ( ? – 1586) while Tichborne was in the Tower of London awaiting a horrible and prolonged execution the following day. He was one of the conspirators in the Babbington Plot. The work is scored for satb voices, recorders or viols. LMP-192 Score & parts with critical commentary $8.00

VDGS-61 A & B   LESSONS FOR THE BASSE- VIOL (1671) by John Moss (fl. 1662 – 1684)   Edited by Donald Beecher and Theodore Conner. This edition composed of 26 Suites for bass viol and continuo is in both tablature and modern notation. It contains beautiful and attainable pieces for the early intermediate bass viol player. Moss explores the use of alternate tunings in order to expand the scope and interest of viol repertory and gives timely advice along the way. (Volume 61A – 137 pages, Volume 61B- 147 pages, each plus part book and commentary). This edition is a “must have” for all bass viol players. VDGS-61A Suites I – XIII Score & part book with critical commentary $42.00 VDGS-61B Suites XIV-XXVI Score & part book with critical commentary $47.00

LMP-180   S'ONQUES DOULEUREUSEMENT (L-12)   by Guillaume de Machaut (c.1300-1377) Edited by Joseph A. Loux, Jr., for voice, recorder, viola da gamba or other early instruments. Machaut is recognized as the founder of French national literature and as an innovative composer writing in all the current styles. This delightful lai consisting of 12 strophies for many years was thought to be monophonic and only recently discovered to be a 1 to 3 part round. French lyric underlay and extensive edition notes are included LMP-180 $6.00

LMP-181   TROIS TRIOS (M-8, B-17, B-35)   by Guillaume de Machaut (c.1300-1377) Edited by Joseph A. Loux, Jr., for 3 voices, recorders, viols or other instruments. The collection contains the early masterpiece Gais et jolis as well as Sanz cuer m'en vois / Amis, dolens / Dame, par vous and Et non est qui adjuvet / Ha! Fortune / Que es promesses. Lyrics are in French and English. All three works are masterpieces of the ARS NOVA LMP-181 Score & parts $7.50

LMP-193   SEASONAL REFLECTIONS   by Mary Mageau (b.1934) The Australian-American composer Mary Mageau has created a delightful four part song cycle for soprano (tenor) voice, alto recorder and piano, based on four poems by the late Claire Finkle Loux (1919-2000); Claire in her early years was in conversation with Edna St.Vincent Milay of Columbia County, New York, who encouraged her writing of poetry and songs. LMP-193 Score & parts $12.50

LMP-183   TROIS LAIS MONOPHONIQUE (L-7, L-8, L-10)   by Guillaume de Machaut (c.1300-1377) Edited by Joseph A. Loux, Jr., for voice, recorder viola da gamba or other instruments. This edition includes Le lay des dames, Le lay mortel and Le lay de nostre dame. French text underlay with extensive edition notes. LMP-183 $8.25

VDGS-53A & B   34 MOVEMENTS IN 5 SUITES, Op. 31 (1730) for bass viol and basso continuo   by Joseph Bodin de Boismortier (1689-1755) Edited by Donald Beecher with continuo realization by Réjean Poirier, and scored for viola da gamba and continuo. Boismortier wrote many popular works. Always tuneful, never banal, this collection amply captures the Parisian spirit of the early 1730's. The collection has been recorded by Dovehouse Editions. VDGS-53A Score & parts $20.00 VDGS-53B Score & Parts $17.50

VDGS-32D   THE SEASONS: WINTER   by Christopher Simpson (c.1605-1669) Edited by Caroline Cunningham with continuo realization by Jack Ashworth, and scored for one treble and two bass viols and continuo. Simpson was a great master of the viola da gamba. This fourth and last volume marks the first-ever publishing of his monumental classic The Seasons. Critical commentary and variant ms. readings are included. This volume along with volumes VDGS-32A (Spring), 32B (Summer), and 32C (Autumne) is a "must have" for all libraries and serious players on the viol VDGS-32D Score & parts $22.00

LMP-184   DAVID HOQUETUS for 3 voices, recorders, viols or other instruments   by Guillaume de Machaut (c.1300-1377) Edited by Joseph A. Loux, Jr., this edition contains extensive notes on the hoqueting process as well as structural details. The work is one of the most intriguing and complex in western music. This hoquet is based on a melisma from the Mass Alleluia Nativitas ascribed to Pérotin . LMP-184 Score & parts $6.50

LMP-186   NEUF BALLADES à 2, for 2 voices, recorders, viols or other instruments   by Guillaume de Machaut (c.1300-1377) Edited by Joseph A. Loux, Jr., these delightful ballades have the underlaid French text. The pieces are characterized by syncopation and rhythmic innovation. LMP-186 $6.00

LMP-179   DILIGES DOMINUM DEUM TUUM for from 2 to 8 voices, recorders, viols or other instruments   by William Byrd (1543?-1623) Edited by Joseph A. Loux, Jr., this edition contains extensive notes on the canonic process as well as structural details. The work is one of the most complex canons of the late Renaissance. LMP-179 Score & parts $7.50

IRCS-19A & 19B   15TH ANONYMOUS CHANSONS, 1487, VOL. 1A & 1B   Anonymous (Dominicus Marsilius) Edited by Mary A. Benton, these delightful trios from Bologna, Civico Museo Bibliografico Musicale Q 16 find their source in the Burgundian chanson and are characterized by rhythmic innovation. IRCS-19A Score & Parts $12.00 IRCS-19B Score & Parts $14.00

IRCS-17A & 17B   TWO RICERCARS, VOL. 1 & 2 from Il Primo Libro de Ricercari à Quattro, 1556, for 4 recorders, viols, violins or other instruments   by Annibal Padovano (1527-1575) Edited by Donald Beecher, this edition contains extensive edition notes. IRCS-17A Score & Parts $12.50 IRCS-17B Score & parts $12.50

LMP-191   MISSA SUPER NISI DOMINUS à quattro voci   by Ludwig Senfl (c.1490-c.1556) Edited by Joseph A. Loux, Jr, this Mass presents Senfl at his musical best. LMP-191 Performance score $5.00

BCMS-31   SONATA A-Dur   by Franz Xaver Hammer (1741-1817) Edited by Simone Eckert and Donald Beecher with continuo realization by Charles Larkowski, and scored for viola da gamba and continuo. Hammer was the last great master of the viola da gamba. This sonata has been recorded on the Christophorus label No. 77223 by the Hamburger Ratsmusik BCMS-31 Score & parts $12.00

BCMS-32   SONATTA À VIOLA DA GAMBA (Nr. 5 D-Dur)   by Franz Xaver Hammer (1741-1817) Edited by Simone Eckert and Donald Beecher with continuo realization by Charles Larkowski, and scored for viola da gamba and continuo. Hammer was the last great master of the viola da gamba. This sonata has been recorded on the Christophorus label No. 77223 by the Hamburger Ratsmusik. BCMS-32 Score & parts $11.00

LTM-1   MARCHE DES ROIS (March Of The Kings) .   Provence, XIIIe Siècle Edited by John Randolph Phelps and Joseph A. Loux, Jr. Lyrics are in French and English. For voice (solo instrument) and keyboard and/or SAATB recorders, viols or modern strings. A lovely and popular Christmas carol. LTM-1 Scores & set of parts in various clefs for strings and winds $8.00

LTM-11  NOËL DE SEDAN (The Sedan Carol)   Ardennes, XIIIe Siècle Edited by John Randolph Phelps and Joseph A. Loux, Jr. Lyrics are in French and English. For voice (solo instrument) and keyboard and/or SAATB recorders, viols or modern strings. The tune relatively unknown in English, is peppy and upbeat. LTM-11 Scores & complete set of parts in various clefs for strings and winds $8.00

LTM-8   IL EST NÉ (He Is Born) .   Sologne, XVIIIe Siècle Edited by John Randolph Phelps and Joseph A. Loux, Jr. Lyrics are in French and English. For voice (solo instrument) and keyboard and/or SAATB recorders, viols or modern strings. A very popular Christmas carol. LTM-8 Scores & set of parts in various clefs for strings and winds $8.95

LTM-16   ON ENTEND PARTOUT CARILLON (Now Hear The Bells Judæan Hills!)   Berri, XVIIIe Siècle Edited by John Randolph Phelps and Joseph A. Loux, Jr. Lyrics are in French and English. For voice (solo instrument) and keyboard and/or SATB recorders, viols or modern strings. Remarkably, this beautiful carol is unknown in English . LTM-16 Scores & complete set of parts in various clefs for strings and winds $8.95

LMP-134   SIX PIECES.   by Jeremiah Clarke (c.1674 - 1707) Edited by Gwilym Beechey, the pieces in this collection come from A Choice Collection of Ayers, 1700, The Lady's Banquet, 1704 and Choice Lessons for the Harpsichord or Spinett. All selections are in the original keys and edited for soprano recorder and basso continuo (keyboard plus a bass instrument such as viol or bass recorder). The pieces work equally well with flute and 'cello. LMP-134 Score & parts $5.50

LMP-176   TWO 14TH CENTURY PIECES: Le Rossignol and A l'arme, a l'arme.   by Trebol [Borlet] (fl. 1380-1409) and Grimace (fl. 1350-1375) Edited by Joseph A. Loux, Jr. These lovely but demanding pieces present the Ars Nova at its best. Suitable for four voices and/or S.S/A.T.B.instruments. Le Rossignol may in fact be a conflation or joining of two earlier duets; A l'arme, a l'arme in virelai form is one of the earliest surviving "battle" pieces. An important addition to your vocal or instrumental music library. LMP-176 Set of four performance scores and critical commentary $5.00

VDGS-14   FOUR DUOS FOR TWO BASS VIOLS by Jenkins, Whyte and Coleman   Edited by Donald Beecher and Bryan Gillingham. Now back in print, this revised edition contains music that is both beautiful and attainable for the bass viol player. VDGS-14 Two performance scores and critical commentary $8.00

RGS-5   LYRICAL MELODIES OF THE MASTERS.   edited by Eugene Reichenthal For soprano (descant) or tenor recorder and guitar, this collection contains sixteen lyrical pieces by masters such as J.S. Bach, Handel, Mozart, Purcell, Vivaldi and others. . RGS-5 $6.95

LMP-177   ONCQUES AMOUR (1553)   by Thomas Crecquillon (c. 1400 - 1557) This chanson is technically demanding due to a brusque three-against-two rhythm (hemiola). Scored for five voices or S.A.A.T.B. recorders or viols with optional percussion, it is an outstanding and effective ensemble piece. Lyrics are in French with English translation; critical commentary is included. Edited by Joseph A. Loux, Jr. and Joseph A. Loux, III. LMP-177 Score and parts $4.50

RGS-6   MOZART For Recorder and Guitar.   Edited by Eugene Reichenthal This delightful volume contains twelve pieces transcribed for soprano (or tenor) recorder and guitar taken from the five Divertimenti and the Ave Verum Corpus. The best choice of key for the soprano (or tenor) recorder is always an excellent key as well for the classical guitar; guitarists of intermediate standard should have no difficulty and much pleasure in performing the accompaniment derived principally from the two lower melodic voices of the trios. RGS-6 $6.95

VDGS-15   DIVISIONS IN G MINOR AND C MAJOR   by John Jenkins (1592-1678) Jenkins never held an official position outside the Royal English court, yet he was more active in country circles; his geniality of character, skills on various instruments and brilliance as a composer assured him of varied patronage, although informal. Both divisions begin modestly, then progressively become more virtuosic. Edited by Donald Beecher and Bryan Gillingham, this volume is considered essential repertory for the bass viol player. VDGS-15 Score & parts $8.00

BCMS-28   SONATA II in A MAJOR.   by Christoph Schaffrath (1709-1763) Edited by Donald Beecher and Charles Larkowski. Linked with the Berlin School, few facts are know about him. His writing is certainly equal to that of C.P.E. Bach, filled with supple dialogue among the instruments and a richness of musical ideas. Schaffrath is an unknown worthy awaiting his apologist. Sonata II (as well as Sonata I published in this series as BCMS-26) is scored for viola da gamba, violin/tenor recorder, 'cello and basso continuo. BCMS-28 Score & parts $10.00

LMP-16   TUNES FROM THE ENGLISH DANCING MASTER   ye 1651 edition Now back in print, this revised and expanded edition has many more tunes and extensive edition notes by J.A. Loux, Jr. The collection is suitable for solo soprano recorder, viol, violin or alto (treble) recorder using c fingering.The collection is a fine introduction to Playford's English country dances. LMP-16 $3.75

LTM-10   QUOI, MA VOISINE, ES-TU FÂCHÉE? (Neighbor, What Has You So Excited?) .   Île-de-France, XVIe Siècle Edited by John Randolph Phelps and Joseph A. Loux, Jr. Lyrics are in French and English. For voice (solo instrument) and keyboard and/or SAATB recorders, viols or modern strings. A lovely Christmas carol relatively unknown. LTM-10 Scores & set of parts in various clefs for strings and winds $8.00

LTM-12   UNE JEUNE PUCELLE (There Was A Lovely Maiden)   Bourgogne, 1575 Edited by John Randolph Phelps and Joseph A. Loux, Jr. Lyrics are in French and English. For voice (solo instrument) and keyboard and/or SATB recorders, viols or modern strings. The tune was used in the motion picture Tous Les Matins Du Monde. A lovely Christmas carol which is also appropriate for Lady Day, relatively unknown in English . LTM-12 Scores & complete set of parts in various clefs for strings and winds $8.75

IRCS-13   MOVEMENTS FROM Il Primo Libro, 1650, VOL. I.   by Andrea Falconieri (1585-1656) Edited by Dr. Donald Beecher & Dr. Bryan Gillingham, this work is scored for two melody instruments, viols, violins or C recorders and basso continuo. Extensive notes are included. IRCS-13 Score & parts $17.00

LCC-25   VIDERUNT / VIDE PROPHECIE   by Magister Pérotin (c.1160-1238) Transcribed and edited by Dr. Joseph A. Loux, Jr., this work is scored for four voices viols or C recorders including drone. It is the earliest documented Christmas carol in the west thus far researched; the work was first performed as part of the Mass at Notre Dame in Paris on Friday, December 25, 1198. Extensive notes are included. LCC-25 Score & parts $8.00

IRCS-20   15th CENTURY ANONYMOUS CHANSONS, VOL. II from Civico Museo Bibliografico Musicale, Cod. 109 (Q 16).   attributed to the scribe Dominicus Marsilius (fl.1487) Transcribed and edited by Mary A. Benton, these untexted pieces are identified only by incipits. The 17 pieces contained in this volume are for three instruments; the part books contain scorings in alternate clefs for string and wind players. This is an important volume for those interested in the early chanson. IRCS-20 Score & part books $11.50

IRCS-21   15th CENTURY ANONYMOUS CHANSONS, VOL. III from Civico Museo Bibliografico Musicale, Cod. 109 (Q 16).   attributed to the scribe Dominicus Marsilius (fl.1487) Transcribed and edited by Mary A. Benton, these untexted pieces are also identified only by incipits. The 20 pieces contained in this volume are for three instruments; the part books contain scorings in alternate clefs for string and wind players. This is another important volume for those interested in the early chanson. IRCS-21 Score & part books $15.00

LTM-14   VOICI TROIS BOHÉMIENS (Wise Men Come From The East).   Provence, XVIe Siècle Edited by John Randolph Phelps and Joseph A. Loux, Jr. Lyrics are in French and English. For voice (solo instrument) and keyboard and/or SATB recorders, viols or modern strings. A dark Christmas carol unknown in English, with an interesting story to tell. LTM-14 Scores & parts $8.00

IRCS-23A   CANZONI à DUE BASSI, Vol.1 from Il Primo Libro delle Canzoni, 1628   by Girolamo Frescobaldi (1583-1643) IRCS-23B   CANZONI à DUE BASSI, Vol.2 from Il Primo Libro delle Canzoni, 1628   by Girolamo Frescobaldi. Written by the greatest Italian master of the instrumental canzona, these musical gems are fine examples of his light chamber music. The book from which they are taken is dedicated to Ferdinando de'Medici, Grand Duke of Tuscany. The canzoni are scored for two bass instruments (such as viola da gamba, 'cello or bass recorder) and keyboard; Frescobaldi does not specify instrumentation. IRCS-23A Score & parts $8.00 IRCS-23B Score & parts $8.00

LMP-173   3 PARTS UPON A GROUND (Z 731) with BM Add MS 30932.   by Henry Purcell (1659-1695) Edited by Layton Ring, Alec V. Loretto and Joseph A. Loux, Jr., with continuo realization by Mary Mageau, this work is scored for three alto recorders and basso continuo. The piece is a tour de force in composing on a ground bass. Extensive notes are included, reviewing the various editions published since its discovery in the British Museum in the 1950's and documenting the existence of a lost autograph manuscript in F Major for alto recorders. LMP-173 Score & parts $12.00

BCMS-26   SONATA I IN C MAJOR   by Christoph Schaffrath (1709-1763) Edited by Dr. Donald Beecher with continuo realization by Dr. Charles Larkowski, this piece is scored for viola da gamba, violin/tenor recorder, 'cello and basso continuo. BCMS-26 Score & parts $10.00

LMP-175   DUE MADRIGALI: Il Bianco e Dolce Cigno and Voi ve n'Andate al Cielofrom Il Primo Libro di Madrigali   by Jacques Arcadelt (c.1505-1568) Edited by Dr. Joseph A. Loux, Jr., this piece is scored for satb voices, viols or recorders. All parts are texted in Italian and English. LMP-175 Four performance scores and extensive notes $5.50

LMP-113   SONATINA from God's Time Is The Best (BWV 196)   by Johann Sebastian Bach (1685-1750) Edited by Dr. David W. Music, this piece is scored for two alto recorders and basso continuo. LMP-113 Score & parts $3.50

VDGS-55   SIX SONATAS, Vol. 1   by Jakob Richmann (c.1685-1718) Edited by Karl Heinz Pauls and scored for viola da gamba and basso continuo, the two sonatas presented in this volume date from around 1710. Little is known about Richmann, but this volume will serve as entrée to the four other sonatas by him currently being published by Dovehouse. While organo is specified in the score for the continuo instrument contemporary practice allows for plucked instruments or keyboard. A 'cello reinforces the bass line. VDGS-55 Score & parts $11.50

-	LMP-174   ST. ANNE VARIATIONS   by William Croft (1678-1727) Edited and arranged by Jed David Watson, this piece is scored for flute or alto recorder and basso continuo. The tune is the familiar hymn O God Our Help In Ages Past. LMP-174 Score & parts $3.50

LMP-143   NASTU PEU VEU LA MISTÔDINA from Canti C   Anonymous, published by Ottaviano Petrucci (1504) Edited by Dr. Joseph A. Loux, Jr, this piece is scored for STTB recorders, viols crumhorns, rebecs and/or theorbo. LMP-143 Score & parts $4.00

LMP-82   CANZONETTA In G Major (Bux WV 171)   by Dietrich Buxtehude (c.1637-1707) Edited by Dr. Joseph A. Loux, Jr, this piece is scored for SATB recorders (with optional contrabass or subcontrabass recorders).Originally written for organ and no doubt performed by Buxtehude at one of his Abendmusik concerts, the work is ideal as a program opener or encore selection. LMP-82 Score & parts $5.25

LMP-157   CHACONY (Z 730)   by Henry Purcell (1659-1695) Edited by Margaret Connolly and Joseph A. Loux, Jr., with continuo realization by Mary Mageau, this work is scored for two violins, viola and 'cello or ATBB recorders and basso continuo. The edition has extensive notes and bowing patterns for the baroque violin. It may also be performed without keyboard as a string or recorder quartet. LMP-157 Score & parts $11.50

VDGS-32C   THE SEASONS: Autumne   by Christopher Simpson (c.1605-1669) Edited by Dr. Caroline Cunningham with continuo realization by Dr. Jack Ashworth, this monumental work is scored for treble viol, two bass viols and organ continuo. VDGS-32C Score & parts $19.00

LMP-112   SONATA from For Us A Child Is Born   by Johann Sebastian Bach (1685-1750) Edited by Dr. David W. Music, this piece is scored for two alto recorders and basso continuo. Some musicologists believe that it may have been written by one of Bach's contemporaries. LMP-112 Score & parts $3.95

LMP-137   Trio, Op. 83, No.1   by James Hook (1746-1827) LMP-138   Trio, Op. 83, No.2   by James Hook.   LMP-139   Trio, Op. 83, No.3   by James Hook.   LMP-140   Trio, Op. 83, No.4   by James Hook.   LMP-141   Trio, Op. 83, No.5   by James Hook.   LMP-142   Trio, Op. 83, No.6   by James Hook.   Written by Hook for musical entertainments at Vauxhall Gardens, these trios are superb examples of his light chamber music. They are scored for AAT or ATT recorders, 3 flutes or 2 violins and viola. They are delightful pieces for auditor and performer. All trios come with score and a set of parts; detailed Edition Notes in LMP-137 and LMP-140. Rose Marie Terada writes in the January, 2000 The American Recorder, this music sounds absolutely delightful on recorders...[and] is reminiscent of the early music of Mozart....Intermediate players will find these pieces charming and fun to play. LMP-137 Score & parts $7.50 LMP-138 Score & parts $7.50 LMP-139 Score & Parts $7.50 LMP-140 Score & Parts $7.50 LMP-141 Score & Parts $7.50 LMP-142 Score & Parts $7.50

VDGS-58   The Eight Five-Part Songs from Private Music: The First Book of Ayres & Dialogues (1620) by Martin Peerson (fl. 1571-1651). This virginalist, choir-master and composer will gain in our esteem the more his music becomes known. The Five Part songs lyric in spirit, represent his accumulated work over the two previous decades. This edition is published for five viols (alternative parts with G clef are included for SATTB recorders); vocal texts are included. For Instruments and/or voices with score and a complete set of parts. $12.00

LMP-166   Revecy venir du printans (Now returns once more the Spring time) by Claude LeJeune (c.1528-1600). This piece is perhaps the best and most famous example of the La Pléiade Movement of 16th Century France; it is scored for five voices and/or SSATB recorders/viols and optional percussion with edition notes. Score and parts included $8.00

LCC-19   A SONGBAG of French Carols. For voice (melody instrument) SATB recorders/ flutes/ viols/ strings with optional keyboard, crumhorns and percussion. The songbag contains Il est né, le divin enfant, Célébrons la naissance and Venez, bergers. Il est né, which is a hunting horn fanfare from the reign of Louis XV, is orchestrated so that it would be an ideal selection for a concert finale. Célébrons is more meditative and offers a nice contrast with Il est né and the cantiga-like rip-rouser Venez bergers. Venez is a favorite of The Adirondack Baroque Consort for which it was scored. Vocal texts are in French and English. Scores and parts included. $12.50

LCC-20   CHRISTMAS TRIOS. For 3 recorders and optional voice and percussion. This volume contains Maria durch ein'n Dornwald ging, Coventry Carol, Célébrons la Naissance, Fermarono I Cieli (by Alphonsus Liguori) , In dulci jubilo, Abbots Bromley Tune (Staffordshire Deer Dance) and Drive The Cold Winter Away. The collection contains a wide variety of musical styles and textures. Score and a complete set of parts included $8.00

LMP-167   Ravenscroft & Cobb YE STREET CRIES OF LONDON. These two four-part rounds can be used as an entr'acte between the two sections of Orlando Gibbon's The Cries Of London (VDGS-52) for recorders, voices or viols. As indicated in the VDGS-52 Edition Notes by Dr. Donald Beecher, both of these editions are suitable for Christmas festivities. LMP-167 4 performance scores $3.50 VDGS-52 Score & parts $15.00

LMP-171   DEUX CHANSONS LYONNAISES: Peine et travail and Trac, trac qu'est la? These two delightful pieces for SATB voices/ viols or recorders are musical gems of a lesser known Renaissance worthy Henry Fresneau (fl. 1538-1554) . Fresneau is the originator of the advertisement jingle and the composer of several high quality chansons; two of his best are in this edition. 4 performance scores and edition notes $5.50

LMP-116   THREE CENTURIES OF MONOPHONIC DANCES (12th - 14th Century). This very popular edition is again available. Although monophonic, instructions are given on how to make the contents 'big band' pieces. Vocal texts are included where applicable. This edition is a must for students of the Middle Ages and early Renaissance. $10.95

LMP-152   TRIO FOR RECORDERS. This original work by the international award winning American-Australian composer Mary Mageau is both melodic and evocative. The contrasting movements are tonally based and each draws distinctive characterization from the exploration of mood and texture. For upper intermediate players, this SAT trio is of the highest quality. Score and parts $14.00

LMP-168   THE GREAT EMU WAR for recorder Quartet and optional percussion by Benjamin Thorn. The three movements of this work: Chasing, What about tabouleh? And The Great Emu War, can be played as trios without percussion or as a quartet. The work is characterized by rhythmic vitality and playfulness; Thorn uses extended instrumental techniques, but melody is still very important. Music reviewer Pete Rose writes in the March, 2000 The American Recorder, We are once again indebted to Benjamin Thorn for a superb work. We believe that this quartet will take its place among the great quartets of the 20th Century. For advanced or professional players. Score and parts $12.50

LMP-150   TWO NEW YEAR CAROLS: Auld Lang Syne and Here We Come A Wassailing. For voice (melody instrument) and piano and/or SATB recorders. Scores and parts included; this is the edition you'll need to bring in the new millennium (or millennium plus one)! $3.75

RFS-34   22 BICINIA ON GERMAN FOLKSONGS. Folksongs from all over Germany tastefully arranged for the advanced beginner or early intermediate player. They are suitable for SA recorders, capped reeds, 5-hole ocarinas, psalteries, strings or any combination thereof . $5.00